DECEMBER 2013
DRAGI IVO,.../ DEAR IVO,…
in emergency INDEX 2012
Ugly Duckling Presse, 2013
Brooklyn, New York
p. 388 - 389
in emergency INDEX 2012
Ugly Duckling Presse, 2013
Brooklyn, New York
p. 388 - 389
The article about LOVE STEPS is published in NEW MOMENT, magazine for art and advertising, No. 34 (p. 70-81)
www.newmoment-magazine.com
NOVEMBER 2013
Im Rahmen der Novembertage des Bündnis für Demokratie in Zwickau, die sich auf
Spurensuche der NSU begeben, findet am Montag, den 04. November 2013, zwischen 12 und 16 Uhr, auf dem Zwickauer Marienplatz, ein Happening statt:
DIESE STADT IST NICHT…
Hierfür sind Vanja Vuković und Snežana Golubović aus Frankfurt/M von dem Kurator Sebastian D Kriegsmann mit der Crew vom Roten Baum zu einer Performance eingeladen worden.
Am Dienstag, den 05. November sind die Hauptakteure des Happening durch Klaus Fischer vom Freundesverein Aktueller Kunst um 18 Uhr zum Interview und für Fragen aus dem Publikum im Kunstverein Zwickau eingeladen.
SEPTEMBER 2013
I will present two new performances during the LIVE Biennale in Vancouver from September, 18th to 23rd.
For dates, times and more information please visit: livebiennale.ca
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Snežana Golubović
STAGEs / LIFE, 2013
The stage represents the most common and exposed form of a theatrical performance. The noun ‘stages’ refers to a description of various phases that a thing, an object, a state (of mind) can pass through within time and space. A stage is also a kind of frame, a structured pattern and a foundation.
STAGEs - the first performance by Snežana Golubović at the festival will be staged in the truest sense: it will happen on a stage in an exact 30 minute time frame. These two formal restrictions are highly unusual for the performances of Snežana Golubović; her former works never used a stage or a time line. The process was performed for as long as it was necessary to complete.
The second piece LIFE will in contrast take place in a found space with no time limit. This performance will flow and will allow the experience of the current to unfold as time slowly melts. The fluctuation of time will take its course while following a red string of yarn. This red string might be a story line, a thread of life, or a detour that leads to nowhere.
Snežana Golubović searches for images that neither pantomime stories nor decline them.
Before Snežana Golubović began creating performances, she worked as an actress. She is no stranger to the stage. She simply moved forward. The combination of both performances at the festival represents a type of biographical allegory. The evening opens with a prologue that is at the same time also its own epilogue. During the interval, the directed time of the process that has its own unexpressed secret time takes place.
Snežana Golubović invites her audience to contemplate their own time mystery.
Konrad Oktavian Knieling